Transgression in Salman Rushdie's Shame and Haroun and the Sea of Stories

dc.contributor.advisorBényei, Tamás
dc.contributor.authorTanka, Beáta
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-20T13:25:12Z
dc.date.available2013-03-20T13:25:12Z
dc.date.created2010-04-14
dc.date.issued2013-03-20T13:25:12Z
dc.description.abstractIn my thesis, I argue that the way of writing in Shame and Haroun and the Sea of Stories has a kind of transgressive ability. I will examine what kind of characteristics of the texts and their way of writing can be ascribed to certain transgressive strategies and how transgression appears at certain levels of the texts. I will focus on two transgressive strategies: hybridity and textual excess, on the basis of Benyei Tamas’s work that deals with transgressive abilities or possibilities of magical realist texts. I do not intend to put the label of magical realism on these two novels that I will analyse, but in my opinion this guideline for the possibility of transgression, offered by Benyei, has relevance in these novels.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent39hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/162091
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectRushdiehu_HU
dc.subjecttransgressionhu_HU
dc.subjecthybridityhu_HU
dc.subjecttextual excesshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleTransgression in Salman Rushdie's Shame and Haroun and the Sea of Storieshu_HU
dc.typediplomamunka
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