Ironic Twists

dc.contributor.advisorAbádi Nagy, Zoltán
dc.contributor.authorKormos, Áron
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-05-28T13:53:45Z
dc.date.available2013-05-28T13:53:45Z
dc.date.created2009-03-31
dc.date.issued2013-05-28T13:53:45Z
dc.description.abstractI assume that Plath’s unique treatment of symbols, including the use of contorted apocalyptic images, outright demonic images, and analogous ones, is responsible essentially for creating this ironic quality. For this reason, I will concentrate on these three kinds, aiming to “tame” what Beake refers to as the bold “twists of image” (Paragraph 13). I seek to explore what makes Sylvia Plath’s images as exciting as they are, that is, the often so ironic nature of their “twisting,” whether a result of conscious or subconscious conduct on the part of the poetess. I presume that I can properly illustrate how Plath applies her poetic images to create this effect by looking at only one of the five categories of metaphors at a time. Therefore (not to mention practical reasons and lack of space), I will focus on the lowest level of the Great Chain of Being, namely the mineral world, in my study of the demonic corruption of visual images.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent48hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/169542
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectPlathhu_HU
dc.subjectAmerican poetryhu_HU
dc.subjectironyhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleIronic Twistshu_HU
dc.title.subtitleThe Demonic Representations of Mineral World in the Visual Imagery of Sylvia Plath's Arielhu_HU
dc.typediplomamunka
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