The Commercialization of American Subcultures

dc.contributor.advisorSimon, Zoltán
dc.contributor.authorRőth, József
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-15T10:03:49Z
dc.date.available2013-01-15T10:03:49Z
dc.date.created2011-07-15
dc.date.issued2013-01-15T10:03:49Z
dc.description.abstractOnce a subculture reaches a certain threshold in size it starts to attract the attention of companies and soon becomes fashion causing the subculture to ceases being really different. At this point, those who are driven by the need to stand out have to go on and find a new deficit within society against which to start a new subculture. Rebellion in time becomes mainstream and if the ethical norm carried by the subculture is found to serve humanity, then in time it not only becomes accepted but becomes evident. Therefore the final conclusion of the present thesis is that the procedure through which subcultures become re-incorporated into mainstream society and lose their countercultural nature is social evolution itself.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent39hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156113
dc.language.isoen_UShu_HU
dc.rights.accessiphu_HU
dc.subjectszubkultúrahu_HU
dc.subjectideológiahu_HU
dc.subjectkommercializálódáshu_HU
dc.subjecttrendhu_HU
dc.subject.dspaceDEENK Témalista::Társadalomtudományok::Szociológiahu_HU
dc.titleThe Commercialization of American Subcultureshu_HU
dc.title.subtitleCase Study of the World of Skaters and Bikershu_HU
dc.typediplomamunka
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