The Representation of the Grotesque Bodies and Transforming Identities in Chuck Palahniuk's Invisible Monsters

dc.contributor.advisorUreczky, Eszter
dc.contributor.authorSzabon, Veronika
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2014-04-30T12:42:13Z
dc.date.available2014-04-30T12:42:13Z
dc.date.created2014-03-31
dc.date.issued2014-04-30T12:42:13Z
dc.description.abstractIn my thesis, I examine Invisible Monsters from a gender perspective in the discourse of the beauty industry, i.e. how the beauty industry can affect gender identities and blur the boundaries between them and whether it is possible to escape from the engulfing regime of the beauty industry. Additionally, I elaborate on the birth of the grotesque bodies as the strategies of the two subjects, Shannon and Brandy, for escaping different cultural confines and expectations.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent33hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/190900
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectGenderhu_HU
dc.subjectGrotesque Bodieshu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titleThe Representation of the Grotesque Bodies and Transforming Identities in Chuck Palahniuk's Invisible Monstershu_HU
dc.typediplomamunka
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