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Tétel Korlátozottan hozzáférhető Az ír dráma száz éve(2007) Bertha, CsillaTétel Korlátozottan hozzáférhető Colonial Issues in the Dramas of Brian Friel and András Sütő(2013-10-22T10:44:16Z) Rizinger, János; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarIreland and Hungary were not independent within centuries: Ireland was forced join the British Empire, Hungary was occupied by the Turks then she was the part of the Austrian Empire. Shortly after the First World War Ireland and Hungary gained their independence but Ulster and Transylvania remained under foreign control. Although there are similarities in their histories, the two nations have no common cultural heritage, yet certain common features of post-colonial drama occur in the drama literature of these two nations. (Introduction)Tétel Szabadon hozzáférhető Tétel Szabadon hozzáférhető Tétel Korlátozottan hozzáférhető Gothic Features in Contemporary Irish Fiction(2013-07-03T14:46:31Z) Pallagi, Anita; Bertha, Csilla; DE--TEK--Bölcsészettudományi Karwill attempt to show with the help of three contemporary novels that Gothic still exists in Celtic Tiger Ireland. It is reformed and possesses new features but it is Gothic. First of all, my aim is to define and introduce the genre itself and how it has appeared in Irish literature, drawing attention to the differences. Then I will analyze three contemporary Irish novels: Seamus Deane’s Reading in the Dark, Jennifer Johnston’s Two Moons and at last, Anne Haverty’s One Day as a Tiger, which all possess characteristics of modern Gothic fiction.Tétel Szabadon hozzáférhető Tétel Korlátozottan hozzáférhető IRA Appearing in the Personal History of Irish People(2013-06-07T10:49:16Z) Szigeti, Mária; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarIn my thesis I would like to present the effects the Troubles had on families and people living in Ireland. I can not show everything but with a few examples I would like to draw up the situation. To understand the outcome, we have to look where the problems rooted. We have to find the reasons in history because history can never be distant enough. It lingers in the present ad has affect on the future as well.Tétel Korlátozottan hozzáférhető Irish Gothicism in Ann Haverty's One Day as a Tiger and Seamus Dean's Reading in the Dark(2013-06-05T14:12:31Z) Ábrók, Melinda; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarIn my thesis I focus my attention on contemporary Irish female and male Gothic by analyzing Anne Haverty’s One Day as a Tiger and Seamus Deane’s Reading in the Dark. I will also touch upon the historical, religious and social features which have provoked the birth of Irish Gothic and provided themes for it. Besides, the importance of past and the Irish landscape will be emphasized and gender issues will be mentioned, too. The themes are fascinating because only a small number of essays and works deal with Irish novels and almost nothing can be found about Gothic works. So, this is a quite new field which should be “discovered”, but first of all, I would like to give a general overview about “the Gothic” and then, I continue with Irish features and characteristics.Tétel Korlátozottan hozzáférhető Memory and Reality in Contemporary Irish Literature(2013-06-07T10:20:54Z) Méhi, Edina; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarAll the three dramas I have chosen, Friel’s Faith Healer, and Aristocrats, Tom Murphy’s Bailegangaire deal with memory but in a different way. Memory and the distortions of it are being concerned in all of them. In Faith Healer, one can see individual monologues from different perspectives. Almost all of the three characters’ Frank’s, Grace’s, Teddy’s monologues greatly differ from each other. That makes the drama more interesting and fascinating. In spite of the fact, that all of them have different versions, each of the characters can say something new to us, readers. We can experience many different perspectives which is good, because we can create our own personal opinion. We are not forced to listen to only one monologue, but to many different monologues from which we can put bits and pieces together.Tétel Korlátozottan hozzáférhető Mythic Vision in W. B. Yeats's and Áron Tamási's Dramas(2013-10-22T13:03:13Z) Szabó, Viktória; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarIn my thesis, I concentrate on the similarities between Yeats’s and Tamási’s dramas, in the centre with myth, mythic vision and folk imagination. I try to describe briefly the historical situation of their countries and demonstrate the playwrights’ theatrical achievements.Tétel Korlátozottan hozzáférhető "New York számára teljesen új hang": Páskándi Géza drámái angolul(2008) Bertha, CsillaTétel Korlátozottan hozzáférhető Quest for Faith in Irish Dramas and Short Stories(2013-06-05T14:14:34Z) Borbély, Orsolya; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarThe characters of those contemporary Irish literary works that I am going to observe live in this reason-centred world. Some of these works are set in a world where institutionalized religion still possesses some kind of authority, but it cannot fulfil its purpose: to offer solution for those who are searching faith in this secularized world. We will see that in a world where transcendence is repressed, the desire for it is the immediate consequence. Obviously this desire and search for faith, or in some works a search for a more meaningful life, led to conflicts in the self. A conflict with the society in which the self lives, and an inner conflict as well. As drama and short story seem to be suitable genres to express these conflicts, I am going to observe the different ways, in which characters search transcendence and struggle with faith in some contemporary Irish plays and short stories.Tétel Korlátozottan hozzáférhető Quest for Mythic Wholenss in W.B. Yeats' The Only Jealousy of Emer and Marina Carr's The Mai(2013-10-09T09:40:37Z) Dongi, Klára Rita; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarThe character of Irish mythology and the important function myths had in ancient Irish culture show how different the Irish way of thinking and consequently the view the Irish formed about the world is from the classical Western European tradition of looking at the universe. The existence of numerous modern literary works based on myths and the presence of mythical thinking in contemporary Ireland prove that this special attitude is a reality even today. Thus, Irish culture presents many similarities with Eastern cultures. (Introduction)Tétel Korlátozottan hozzáférhető Remembering the Present(2013-03-27T12:37:31Z) Hevesi, Márk Adrián; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarIn my dissertation, I will suggest that several Pinteresque play-worlds could be considered ersatz possible worlds that are either actual imaginary products/projections of the characters’ minds clashing with their presents, or being evoked somewhere “outside reality” in a subjective, enclosed world of the mind through the process of remembering, thus creating an alternative reality, a possible world.Tétel Korlátozottan hozzáférhető Space in Beckett's Plays(2013-01-07T10:44:08Z) Urbán, Mariann; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarA dolgozat azt vizsgálja, hogyan jelenik meg a tér Samuel Beckett néhány drámájának filmadaptációiban. Az adaptációkat, intermedialitást és magát a színházi teret érintő rövid elméleti áttekintés után külön fejezetben foglalkozik az Endgame (Végjáték/A játszma vége) két, televízió számára készült adaptációjával, majd a Happy Days (Ó, azok a szép napok!), a Play (Játék), a Rough for Theatre I (Színműtöredék I) és az Act Without Words I (Némajáték I) egy-egy adaptációját vizsgálja.Tétel Korlátozottan hozzáférhető The Effect of 'The Trouble'(2013-10-07T12:56:20Z) Hágen, Andrea; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarIn my thesis I concentrate on the trauma, caused by the violent political movements in the 1970s and 1980s, its effects, methods of its healing, such as writing and art and searching for identity both on personal and national level in Jennifer Johnston’s The Railway Station Man. In The Railway Station Man Johnston writes about the effect of the contemporary political events in Ireland. She focuses on the individual, the domestic level from which we can learn about a slice of Irish history. Her novel reflects the violent state of the country, during “The Troubles” in the 1970s and 1980s through her protagonist’s, Helen Cuffe’s life story.Tétel Korlátozottan hozzáférhető The Figure of the Artist in Contemporary Irish Literature(2013-10-07T12:54:15Z) Buti, Boglárka; Bertha, Csilla; DE--TEK--Bölcsészettudományi KaraTétel Korlátozottan hozzáférhető The Portrait of the Artist as an Irish Woman: The Figure of Helen in Jennifer Johnston's The Railway Station Man(2013-10-04T09:19:51Z) Timári, Sarolta; Bertha, Csilla; DE--TEK--Bölcsészettudományi KarJennifer Johnston is (1930- ) a prominent contemporary Irish writer, the author of short stories, television scripts and plays for the theatre, although her reputation mainly rests on her novels. By using female protagonists in the majority of her novels, she directs the readers’ attention to women’s positions and their opportunities in the country. (Introduction)Tétel Korlátozottan hozzáférhető The Representation of the Celtic Tiger Ireland in John Boorman's The Tiger's Tail and Elizabeth Gill's Goldfish Memory(2013-01-21T08:09:35Z) Veres, Brigitta; Bertha, Csilla; DE--ATC--Mezőgazdaság- Élelmiszertudományi és Környezetgazdálkodási KarDue to economic developments, Ireland was often compared to the East Asian ‘tigers’. Hence, the name Ireland was addressed with, at around the turn of the 21th century: the Celtic Tiger. The Celtic Tiger period in Ireland meant a huge economic growth and globalisation process through which the country became the exact opposite of its own self in a significantly short time. We can observe the huge contrast between the colonial state and the present one of the Irish, through literary works, music, and films. As Goldfish Memory (2003) by Elizabeth Gill, and The Tiger’s Tail (2006) by John Boorman seem to be suitable films to express these contrasts and the current image of Ireland, I am going to examine Celtic Tiger Ireland and Irishness through them.Tétel Korlátozottan hozzáférhető Violence on Stage(2013-10-07T12:50:55Z) Juhász, Anett; Bertha, Csilla; DE--TEK--Bölcsészettudományi Kara