Painting Social Conventions

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorRekun, Dmitry
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-22T09:31:15Z
dc.date.available2013-01-22T09:31:15Z
dc.date.created2012-04-04
dc.date.issued2013-01-22T09:31:15Z
dc.description.abstractThe last decade of the twenty-first century became a real boom in the development of street art. A lot of articles have been published about graffiti, stencils, installations and other forms of art placed within the urban space. Street art became a means to reflect the ideas of contemporary artists to extend the levels of the aesthetic representation of contemporary street art. More and more works of street art conquer a place in a system of visual commodities like billboards or banners on the internet. Street art celebrates a moment of transfiguration when images placed within public spaces as a further stage of its evolution it moves to virtuality. The growing popularity and interest and ever academic interest in street art is strongly concerned with a free-to-access possibility to place it within free-to-access distance with the spectator. However, more and more from street surfaces like walls of streets art works slip away to galleries.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeMschu_HU
dc.format.extent51hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156533
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectstreet arthu_HU
dc.subjectvisualityhu_HU
dc.subjectgender studieshu_HU
dc.subject.dspaceDEENK Témalista::Társadalomtudományok::Társadalomelmélethu_HU
dc.titlePainting Social Conventionshu_HU
dc.title.subtitlePhenomenology of Street Arthu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)