Representation of the Evil Woman in Twentieth Century Female Gothic

dc.contributor.advisorSzalay, Edina
dc.contributor.authorÓnodi, Ágnes
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-19T08:05:59Z
dc.date.available2013-03-19T08:05:59Z
dc.date.created2010-04-15
dc.date.issued2013-03-19T08:05:59Z
dc.description.abstractIn my thesis I will try to concentrate on the characters of those women who choose their career instead of the family and other usual female obligations. My theory is that like in Radcliffe's novel Olivia seems to be the evil mother who denies her own daughter to escape from her home the female antagonist of the Female Gothic novels are “the literal embodiment of “nightmare” itself, like the Frankenstein Monster,” (Wolstenholme 67) because a dominant and independent woman is not only men's “nightmare,” but also an unattainable dream for those women who choose the “original” role instead of their own purposes. In other words, in Female Gothic the evil woman character does not care about the family and motherhood. She is the “devil of the house” instead of the angel version, because she controls her home and prevails in it. The evil woman has a perfect body, because she rejects motherhood and finally, the evil woman has many and complicated relationships with both male and female characters. The evil woman in the twentieth century is the “Wild Woman”: she is a transforming creature, a ghost or a vampire. The character of the evil woman has many shapes and her dominance roots in her individuality.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent48hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/162001
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectnői gótikahu_HU
dc.subjectamerikai irodalomhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleRepresentation of the Evil Woman in Twentieth Century Female Gothichu_HU
dc.typediplomamunka
Fájlok