Monstrosity and Grotesque Embodiment in the Art of Marilyn Manson

A tétel rövid nézete
dc.contributor.advisorUreczky, Eszter
dc.contributor.authorGebri, Eszter
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2019-05-24T10:35:31Z
dc.date.available2019-05-24T10:35:31Z
dc.date.created2019
dc.description.abstractThe aim of this thesis is to analyse Marilyn Manson as a carnivalistic male monster figure in contemporary pop culture and to examine how his self-constructed image is an essential part of the parody of society and religion which is the aim of his art. In the first part I examine his grotesque body and demeanours on the basis of the medieval body concepts while the second part is about the various hybridised and monstrous attires of Manson.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeMSc/MAhu_HU
dc.format.extent50hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/268188
dc.language.isoenhu_HU
dc.subjectMarilyn Mansonhu_HU
dc.subjectgrotesque
dc.subjectmonstrosity
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleMonstrosity and Grotesque Embodiment in the Art of Marilyn Mansonhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)