Maria Irene Fornes's Special Brand of Feminism in Fefu and Her Friends, Sarita, The Conduct of Life, and Mud

dc.contributor.advisorNémeth, Lenke
dc.contributor.authorManole, Mária Izabella
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-08T13:29:39Z
dc.date.available2013-03-08T13:29:39Z
dc.date.created2010-04-15
dc.date.issued2013-03-08T13:29:39Z
dc.description.abstractMy main aim is to establish the traits of her unique type of feminism in four plays selected for scrutiny, including Fefu and Her Friends, The Conduct of Life (1986), Sarita (1984), and Mud (1983). In the course of my investigation first I will attempt to establish an analogy between the traits of both palimpsestic confinement and insanity and the Fornesian use of female mental illness and enclosure. I will then compare the motif of violence as used in feminist plays and in the four chosen plays. I will finish by discussing the non-feminist pessimistic endings of the selected dramas and their purpose from a feminist perspective.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent43hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/161680
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectpalimpsestic insanityhu_HU
dc.subjectconfinementhu_HU
dc.subjectmale violencehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleMaria Irene Fornes's Special Brand of Feminism in Fefu and Her Friends, Sarita, The Conduct of Life, and Mudhu_HU
dc.typediplomamunka
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