The Americanization of the Japanese Death Note Franchise

A tétel rövid nézete
dc.contributor.advisorBényei, Tamás
dc.contributor.authorPapp, Dorina Gréta
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2018-05-28T12:02:30Z
dc.date.available2018-05-28T12:02:30Z
dc.date.created2018
dc.description.abstractThe American version of Death Note published by Netflix in 2017 generated controversy and divided fans all over the world. The main point is that movies are both artistic creations and products on the market. Making them needs investment, and that investment has to be recovered, that is why American film makers try to own the adaptations, shape them according to their taste, Americanize the original so that it will do better on the market. The aim of this thesis is to elaborate on the Americanization of the Japanese anime, Death Note, to show what kind of strategies and means the filmmakers used and how the American movie is different from the Japanese manga, anime and live action films in terms of characters, story line and cinematic features.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent23hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/252853
dc.language.isoen_UShu_HU
dc.language.isoenhu_HU
dc.subjectAmericanizationhu_HU
dc.subjectfilm
dc.subjectmovie
dc.subjectJapanese culture
dc.subjectmanga
dc.subjectanime
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleThe Americanization of the Japanese Death Note Franchisehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)