Praying in Silence, Silencing Oppression

dc.contributor.advisorBülgözdi, Imola
dc.contributor.authorPapp, Fruzsina Judit
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2019-05-24T10:33:30Z
dc.date.available2019-05-24T10:33:30Z
dc.date.created2019-03-28
dc.description.abstractThis thesis examines the representation of oppression in contemporary Western movies: Brimstone (dir. Koolhoven, 2016), and True Grit (dir. Coen brothers, 2010). It also explores the depiction and symbolism utilized regarding religion, and how the characters resist violence, and oppression. The movies analysed in the essay are both revisionist Westerns, therefore they explicitly subvert the tropes and traditions that were used in classical Western movies. This study aims to be a comprehensive analysis of not only on gender relations and silencing, but also on the paradigm shift that can be observed in contemporary Western movies. Through the theoretical background provided by scholars like Susan Kollin or Richard Barsam and David Monahan, the essay focuses on issues presented through narrative techniques and storytelling modes, such as fragmented and framed narratives, repetition, or cyclicality. The films are compared on the basis of silencing and gender-based oppression, but also regarding how gender relations are represented, as they stand for opposing extremes when it comes to women’s role in nineteenth-century America.hu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent43hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/268181
dc.language.isoenhu_HU
dc.subjectfilm studieshu_HU
dc.subjectwestern
dc.subjectbrimstone
dc.subjecttrue grit
dc.subjectrevisionist
dc.subjectsilencing
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudományhu_HU
dc.titlePraying in Silence, Silencing Oppressionhu_HU
dc.title.subtitleGender Relations in Contemporary Revisionist Westernshu_HU
dc.typediplomamunka
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