Symbolic Suicide as an Aronofskian Auterist Motif

A tétel rövid nézete
dc.contributor.advisorGyőri, Zsolt
dc.contributor.authorBökönyszegi, Boglárka
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2015-04-14T09:18:04Z
dc.date.available2015-04-14T09:18:04Z
dc.date.created2015-04-13
dc.description.abstractMy main objective was to argue that actions defined as symbolic suicides and the characteristic preliminary processes affecting the characters are Aronofskian traits. Having studied similarities and differences of self-destructive actions presented in the three films, I found that the psychological journey of the three protagonists can be well embedded into the theories of Durkheim and Ringel, who carried out influential research in the field of suicidology. Therefore, I conclude that the auto-aggressive gestures presented in the three films can be regarded as symbolic suicideshu_HU
dc.description.correctorBK
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent25hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/209214
dc.language.isoenhu_HU
dc.rightsNevezd meg! 2.5 Magyarország*
dc.rights.urihttp://creativecommons.org/licenses/by/2.5/hu/*
dc.subjectidentificationhu_HU
dc.subjectsymbolic suicide
dc.subjectAronofsky
dc.subjectBlack Swan
dc.subjectThe Wrestler
dc.subjectPI
dc.subject.dspaceDEENK Témalista::Művészetekhu_HU
dc.titleSymbolic Suicide as an Aronofskian Auterist Motifhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)