The Dual Nature of Visuality in Comic Book Adaptations

A tétel rövid nézete
dc.contributor.advisorKalmár, György
dc.contributor.authorPorcsin, Ákos
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2014-05-12T11:26:45Z
dc.date.available2014-05-12T11:26:45Z
dc.date.created2014-04-15
dc.date.issued2014-05-12T11:26:45Z
dc.description.abstractThe following analysis will focus on the notion, that the two media are heading towards a kind of symbiosis (concerning adaptations), while, in the long run, it is not necessarily beneficial for neither of them, since it bereaves them from their unique characteristics. The impossibility of equivalence between a work and its adaptation, and the idea that visuality alone is not enough to necessitate or justify medial translation will be illustrated with Alan Moore’s Watchmen and Zack Snyder’s film with the same title.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent28hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/192021
dc.language.isoen_UShu_HU
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectképregényhu_HU
dc.subjectadaptációhu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleThe Dual Nature of Visuality in Comic Book Adaptationshu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)