The problem of gender and heteronormativity in the the hungarian version of the Billy Elliot musical

A tétel rövid nézete
dc.contributor.advisorUreczky, Eszter
dc.contributor.authorBerta, Lívia
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2020-05-19T07:17:32Z
dc.date.available2020-05-19T07:17:32Z
dc.date.created2020-04-25
dc.description.abstractMy thesis' main focus is theater and ballet, more precisely the historical stereotyping of the male ballet dancer from the 19th century, and an analysis of the recent hungarian production of the British West-End musical, the Billy Elliot Musical. The first part is a historical overview of the stereotype and it is followed by a review or analysis of the Hungarian version of the Billy Elliot musical. In my essay this hungarian version is being analysed based on gender and social stereotypes and notions, linked to the first part of the essay, the historical overview.hu_HU
dc.description.correctorN.E.
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent36hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/287779
dc.language.isoenhu_HU
dc.subjectmusicalhu_HU
dc.subjectballethu_HU
dc.subjecttheaterhu_HU
dc.subject.dspaceDEENK Témalista::Művészetekhu_HU
dc.titleThe problem of gender and heteronormativity in the the hungarian version of the Billy Elliot musicalhu_HU
dc.title.subtitleThe historical stereotyping of the male ballet dancerhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)