Eyes Can't Sleep: Technique, Visuality and What Is Beyond Them

A tétel rövid nézete
dc.contributor.advisorGyőri, Zsolt
dc.contributor.authorTóháti, Zsuzsa
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-01-22T10:05:43Z
dc.date.available2013-01-22T10:05:43Z
dc.date.created2012-03-29
dc.date.issued2013-01-22T10:05:43Z
dc.description.abstractMy thesis examines the way the spectator perceives and interprets baroque art in Peter Greenaway’s cinema of baroque. I will study not only artistic similarities between Peter Greenaway’s films and other art forms, but cinematic applications and adaptation of certain techniques. The ways of interpreting an artwork depend on one’s age, cultural background, contextual knowledge, social role and several other components. While in historical periods (like in the era of baroque) the appreciation of art was closely tied to religion and faith, for today’s art audiences the aura of the artwork is no longer religious in character, but most likely conditioned by other aspects of culture. Whereas the contemporary audience of an early baroque painting, sculpture or building perceived the flamboyant, ostentatious works as an excellent and deserved way of praising God, today the stylistic devices of the baroque style have an unambiguously different effect on its spectator.hu_HU
dc.description.courseanglisztikahu_HU
dc.description.degreeMschu_HU
dc.format.extent50hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/156543
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectcinema of baroquehu_HU
dc.subjectPeter Greenawayhu_HU
dc.subjectpostmodernismhu_HU
dc.subjectneo-baroquehu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Klasszika-filológiahu_HU
dc.titleEyes Can't Sleep: Technique, Visuality and What Is Beyond Themhu_HU
dc.title.subtitleModes of Perception and Interpretation of Peter Greenwaay's Cinema of Baroquehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)