Re-Interpreting the Gothic Genre

A tétel rövid nézete
dc.contributor.advisorSzalay, Edina
dc.contributor.authorRácz, Petra
dc.contributor.departmentDE--TEK--Bölcsészettudományi Karhu_HU
dc.date.accessioned2013-03-19T09:13:11Z
dc.date.available2013-03-19T09:13:11Z
dc.date.created2010-04-15
dc.date.issued2013-03-19T09:13:11Z
dc.description.abstractThe main aim of this present work is to analyze two novels, namely Daphné du Maurier’s Rebecca (1938) and Margaret Atwood’s Lady Oracle (1976) on the basis of the same aspects, that are the themes of gothic space, gothic family and marriage and their presentation in the novels. I chose these two texts because at first sight they seem to be fully different, but in fact, they share many common points that become more evident if we make them in opposition with the earlier, traditional gothic texts.hu_HU
dc.description.courseangol nyelv és irodalomhu_HU
dc.description.degreeegyetemihu_HU
dc.format.extent38hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/162008
dc.language.isoenhu_HU
dc.rights.accessiphu_HU
dc.subjectgótikahu_HU
dc.subjectgótikus családhu_HU
dc.subject.dspaceDEENK Témalista::Irodalomtudomány::Összehasonlító irodalomtudományhu_HU
dc.titleRe-Interpreting the Gothic Genrehu_HU
dc.title.subtitleDaphné du Maurier’s Rebecca and Margaret Atwood’s Lady Oraclehu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)