Fatherhood in the Films of Dead Poets Society and Billy Elliot

dc.contributor.advisorUreczky, Eszter
dc.contributor.authorZhang, Xueou Lívia
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2021-05-19T06:17:21Z
dc.date.available2021-05-19T06:17:21Z
dc.date.created2021-04-24
dc.description.abstractIn my thesis, I examine how people believe that there are certain qualities and activities that are considered to be part of the ‘good’ parenting practices and how these are more idealogically driven than based on empirical evidence by comparing the fathers', Thomas Perry and Jackie Elliot, parenting styles in Dead Poets Society and Billy Elliot. Financial circumstances of the parent cannot serve as an indicator for being successful at childrearing or not. We cannot say that well-educated parents are definitely going to do better, either. Furthermore, whether a child has both or only one parent will not determine the future of the child. Instead, a more reliable sign for good parenting is the quality of the communication between parent and child. That is the major difference between the two fathers' parenting styles that decided their sons' lives and the son, who was in a considerably better situation did not reach his goal while the other made his dream come true.hu_HU
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent30hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/309914
dc.language.isoenhu_HU
dc.subjectfatherhoodhu_HU
dc.subjectgood parentshu_HU
dc.subjectparent-child relatipnshiphu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleFatherhood in the Films of Dead Poets Society and Billy Elliothu_HU
dc.typediplomamunka
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