"We All Go a Little Mad Sometimes"
| dc.contributor.advisor | Kalmár, György | |
| dc.contributor.author | Bujdosó, Márta | |
| dc.contributor.department | DE--Bölcsészettudományi Kar | hu_HU |
| dc.date.accessioned | 2018-05-23T13:14:00Z | |
| dc.date.available | 2018-05-23T13:14:00Z | |
| dc.date.created | 2018-04-10 | |
| dc.description.abstract | This thesis explores the different cinematographic representations of Dissociative Identity Disorder. It argues that most portrayals of the disorder strengthen the stigmatisation of the illness. The films examined and contrasted in the text are Alfred Hitchcock’s Psycho (1960), Daniel Petrie’s Sybil (1976), James Mangold’s Identity (2003) and M. Night Shyamalan’s Split (2016). | hu_HU |
| dc.description.course | Anglisztika | hu_HU |
| dc.description.degree | BSc/BA | hu_HU |
| dc.format.extent | 37 | hu_HU |
| dc.identifier.uri | http://hdl.handle.net/2437/252688 | |
| dc.language.iso | en | hu_HU |
| dc.subject | film studies | hu_HU |
| dc.subject | dissociative identity disorder | hu_HU |
| dc.subject | mental illnesses | hu_HU |
| dc.subject | stigmatisation | hu_HU |
| dc.subject.dspace | DEENK Témalista::Irodalomtudomány | hu_HU |
| dc.title | "We All Go a Little Mad Sometimes" | hu_HU |
| dc.title.subtitle | Dissociative Identity Disorder in Cinema from Psycho to Split | hu_HU |
| dc.type | diplomamunka |