Narrativity, Performativity and Nostalgia in Contemporary Staged Photography

A tétel rövid nézete
dc.contributor.advisorMoise, Gabriella
dc.contributor.authorTisza, Eleonóra Márta
dc.contributor.departmentDE--Bölcsészettudományi Karhu_HU
dc.date.accessioned2020-05-19T08:20:19Z
dc.date.available2020-05-19T08:20:19Z
dc.date.created2020-04-26
dc.description.abstractStaged photography and staging as an approach has a special place in contemporary photography, even though it is harshly criticized since its artificiality undermines one of the most important features of photography: the truthful representation of reality. Several artists work with the method of staging and I choose three contemporary British photographers, Gillian Hyland, Lottie Davies, and Hannah Starkey to explore the renewed concepts behind staged photography. The thesis contains three main thematic pillars upon which I grounded by evaluation of stage photography. Firstly, the storytelling capacity and the narrative boundaries of photography were delineated, which can be closely linked to the notion of nostalgia, the manner how memories as narrative elements gain realization in photography, to close the path of argumentation with the notion of performativity, especially how femininity as a construction is represented in staged photos.hu_HU
dc.description.correctorN.E.
dc.description.courseAnglisztikahu_HU
dc.description.degreeBSc/BAhu_HU
dc.format.extent36hu_HU
dc.identifier.urihttp://hdl.handle.net/2437/287837
dc.language.isoenhu_HU
dc.subjectstaged photographyhu_HU
dc.subjectperformativityhu_HU
dc.subjectnostalgiahu_HU
dc.subjectnarrativityhu_HU
dc.subject.dspaceDEENK Témalista::Kultúratudományhu_HU
dc.titleNarrativity, Performativity and Nostalgia in Contemporary Staged Photographyhu_HU
dc.typediplomamunka
Fájlok
Gyűjtemények
Theses (Institute of English and American Studies)