The Dystopian Body and the Biopolitics of Ageing: Boris Kunz’s Paradise (2023)

dc.contributor.advisorUreczky , Eszter
dc.contributor.authorRodriguez, Julieta Atenas
dc.contributor.departmentDE--Bölcsészettudományi Kar
dc.date.accessioned2024-06-26T12:07:19Z
dc.date.available2024-06-26T12:07:19Z
dc.date.created2024-04-16
dc.description.abstractThe dystopian film "Paradise" (2023) by David Kunz is the subject of this thesis. By using critical gerontology, cultural and gender studies, as well as sociopolitical theory this research analyzes the ageing process portrayed in film. It examines the relationship between ageing and biopolitical discourses, emphasizing the moral and social ramifications that it has in precarious subjects and women. The way that aging is portrayed in movies reflects current concerns within a dystopian capitalist framework.
dc.description.courseEnglish Studies
dc.description.degreeMSc/MA
dc.format.extent50
dc.identifier.urihttps://hdl.handle.net/2437/374995
dc.language.isoen
dc.rights.accessHozzáférhető a 2022 decemberi felsőoktatási törvénymódosítás értelmében.
dc.subjectbiopolitics
dc.subjectageing studies
dc.subjectdystopia
dc.subjectfilm studies
dc.subject.dspaceCulture Sciences
dc.titleThe Dystopian Body and the Biopolitics of Ageing: Boris Kunz’s Paradise (2023)
dc.typediplomamunka
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