Cinematic Audience

dc.contributor.advisor	Kalmár, György
dc.contributor.author	Félegyházi-Török, Ágnes
dc.contributor.department	DE--TEK--Bölcsészettudományi Kar	hu_HU
dc.date.accessioned	2013-05-27T10:08:13Z
dc.date.available	2013-05-27T10:08:13Z
dc.date.created	2009-03-30
dc.date.issued	2013-05-27T10:08:13Z
dc.description.abstract	Films are greatly different from novels in their methods of establishing identification of the readers/viewers with the characters. Novels can promote identification by different narrative techniques, but movies take advantage of different filmic techniques to promote identification for the audience. Identification is an inevitable process in cinema and the camera can transfer the vision of characters by using subjective shots or point-of-view shots in the film. These techniques convey the subjective view of what the character sees and these shots immediately facilitate that the audience can identify with the character whose point of view is presented in the film.	hu_HU
dc.description.course	angol nyelv és irodalom	hu_HU
dc.description.degree	egyetemi	hu_HU
dc.format.extent	58	hu_HU
dc.identifier.uri	http://hdl.handle.net/2437/169378
dc.language.iso	en	hu_HU
dc.rights.access	ip	hu_HU
dc.subject	identification	hu_HU
dc.subject	point of view	hu_HU
dc.subject	audience	hu_HU
dc.subject.dspace	DEENK Témalista::Irodalomtudomány	hu_HU
dc.title	Cinematic Audience	hu_HU
dc.title.subtitle	Identification and Point of View in the Hannibal Films	hu_HU
dc.type	diplomamunka