Italianistica Debreceniensis (DE-journals)
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Tétel Szabadon hozzáférhető A favore della “grande mutilata”. La pubblicistica italiana filo-ungherese e la questione transilvana nel periodo interbellico(2020-03-29) Carteny, AndreaThe essay describes how was approached the Transylvanian question during the interwars period in Italy, by a part of the Italian intelligentsia particularly pro Hungarian. Authors and books reflect in somehow the pro Hungary position emerged during the Twenties in Italy, supported by the revisionism of Fascist government and improved during the Thirties. Several books and essays proposed to change the borders between Hungary and Romania, until the Italian-German negotiation and the Vienna Diktat of 1940Tétel Szabadon hozzáférhető Adolescenti nelle scuole secondarie di secondo grado: identità, lingue e lingue ereditarie. Il caso delle province di Biella e Vercelli(2020-12-01) Benatti, RubenThis contribution is part of the tradition of heritage languages and linguistic and cultural identity. It mainly deals with the perception of the identity of students of non-Italian nationality or origin and their relationship with the language and the culture of origin, and those of the host community. More and more children and young people of non-Italian origin are present in Italian schools: the integration model pursued in Italy wants to respect cultural differences and language is one of the key elements of this process. The research concerned two provinces of Eastern Piedmont: Biella and Vercelli. Using a sociolinguistic and sociologic approach, a study was carried out through the administration of questionnaires concerning language and identity, the motivation towards integration, the perception and attitude towards one’s own language/culture of origin, and the Italian language/culture. The emerging picture presents sometimes ambiguous attitudes that can be defined almost as a “suspension” between the desire for “Italianisation” and the preservation of one’s roots. The research poses stringent questions schools and society are called to address on the construction (or reconstruction) of their own identity.Tétel Szabadon hozzáférhető ALESSANDRA DINO, A colloquio con Gaspare Spatuzza. Un racconto di vita, una storia di stragi, Bologna, il Mulino, 2016(2018-12-01) Bohács, Gergelyreview: ALESSANDRA DINO, A colloquio con Gaspare Spatuzza. Un racconto di vita, una storia di stragi, Bologna, il Mulino, 2016Tétel Szabadon hozzáférhető Apollinaire e Ungaretti: verso la “caduta” della modernità(2023-05-22) Giurdanella, LauraThe relationship of esteem and affinity between Apollinaire and Ungaretti involves both biographical and literary levels. While critics have plentifully probed the direct biographical relationships – starting with the encounter of the poets in 1913 – and followed the progress of their friendship during the years of the First World War, the indirect contacts, i.e. those prior to Ungaretti’s arrival in Paris in 1912, would still seem unexplored. Moreover, over the years, various thematic connections have also been proposed; however, certain other thematic and textual tangencies could still reserve new and profitable insights into their hermeneutic key to modernity.Tétel Szabadon hozzáférhető Appunti sulla stilistica (italiana) di László Gáldi(2017-12-01) Stefanelli, DiegoThe paper deals with László Gáldi’s Introduction to Italian Stylistics (1971), placing it in the coeval context of the methodological discussions between stylistics and structuralism in the 60s and 70s, as well as in the history of the Italian stylistics in the 20 th century. It investigates the theoretical sources of Gáldi’s book, which was influenced by different reference points: the European Romance philology, the Russian literary theory (mainly Viktor Žirmunskij’s approach to stylistics) and the Rumanian aesthetics and literary criticism. Moreover, it shows the connection between the Introduction and Gáldi’s previous works, particularly the important book on the poetical style of Mihai Eminescu (1964), maybe Gáldi’s most relevant stylistic study, and other significant works of the same period (an interesting stylistic analysis of Musset’ Stances and a historical study of Rumanian versification). In doing so, it shows the rich methodological and theoretical sources of Gáldi’s Introduction and the peculiar position of the Hungarian scholar in the history of European stylistics.Tétel Szabadon hozzáférhető ‘Brume nordiche’ sullo Stretto. Le radici settentrionali del Romanticismo siciliano(2020-12-01) Bombara, DanielaThe present essay aims at tracing the influences of Northern European Romanticism on the works of some Sicilian authors of the early Nineteenth century. The objective is to debunk the myth of a “lower” level of the Italian Romantic literature when compared to the Nordic literature, as it is not focused on the representation of the dark areas of the self, of supernatural, fantastic, and irrational themes that are present in reality. Some ballads by Felice Bisazza (1809- 1867) and Vincenzo Navarro (1800- 1867) are examined. In these works the narration of popular legends highlights a ghostly and horrifying universe, mirroring real situations, such as the violence of the noble class and patriarchy, or the injustice of social inequality. A play by Giuseppe La Farina (1815- 1863), entitled L’abbandono di un popolo (1845), will be then considered; the author portrays the anti-Spanish revolt of 1676 in Messina by focusing on the disturbing and underground forces that intersect with the revolutionary movements. Lastly, the production by Tommaso Cannizzaro (1838- 1921) as translator will be analyzed: the writer makes the fascinating world of Scandinavian mythology available to the Sicilian and Italian public, through the translations of some cantos by the medieval Edda antica.Tétel Szabadon hozzáférhető «Chiudendosi in corpo i propri guai»: il “codice della chiusura” nel Mastro-don Gesualdo(2023-05-22) La Grua, LuigiIn Mastro-don Gesualdo the body and the gesture are the main mean through which Verga’s writing allows the «unveiling» of the characters’ inner life to the reader. This paper aims to describe how the characters of the novel, consistently with the social processes that Verga intends to represent, live a form of closure to communication that finds its most «exact» representation in silence and, concerning the body, in the pose of the turned shoulders.Tétel Szabadon hozzáférhető Cogas, janas e le altre: le creature mitiche e fantastiche nella letteratura e nel cinema sardi(2018-12-01) Mereu, MyriamSardinian contemporary literature and films have recently recovered an extensive heritage of folk myths and legends taken from the oral tradition. Legendary figures, such as accabadoras (female figure who was enabled with the task of easing the sufferings of the dying people), and fantasy creatures, such as cogas , surbiles (‘vampire witches’), janas (‘fairies, pixies’), and panas (‘the ghosts of women who died in childbirth’) are being revived by writers and film directors with the purpose to bring their memory back to life and share it with a wide audience of readers and spectators. The analysis of imaginary and legendary creatures in Sardinian contemporary literature cannot overlook orality and its central role in shaping popular imagination over the centuries. Writing has replaced orality, whilst mass media and digital media are getting the upper hand over storytelling as a practice of community and family aggregation, meant to mark the long working hours and scare the children, amongst the most common functions of Sardinian oral storytelling. The literary corpus includes fairy tales, novels, tales and legends dealing with the Sardinian oral tradition, whilst on the cinematic side I will examine short films, feature films and documentaries made in Sardinia over the last fifteen years.Tétel Szabadon hozzáférhető Contatti linguistici e culturali tra le due sponde dell’Adriatico. L’italiano degli scrittori di origine albanese(2020-12-01) Shabaj, FloraMigrant literature is a powerful medium of expression which offers a great variety of interpretation and a great source of inspiration for scholars to investigate the different aspects of the life and those of the society. Finding themselves in-between, migrant authors have the opportunity to live (in) two or more languages and cultures bringing them together, changing and shaping them. It is precisely here where linguistic contact occurs and where different strategies take place becoming an interesting part of a linguistic and literary research. This article investigates the contact between Albanian and Italian language through the analysis of some of the works of Ornela Vorpsi, Artur Spanjolli, Ron Kubati and Anilda Ibrahimi. Taking into consideration the fact that these authors has decided to use Italian as their language of expression, this investigation offers some considerations of what this means to them and the impact on both languages. Considering the fact that these writers transfer in their texts not only important aspects of the culture but also some features of the Albanian language, it is interesting to see the way in which transference takes place and what happens to the text when two different and distant languages such as Albanian and Italian meet.Tétel Szabadon hozzáférhető Dagmar Reichardt, Carmela D'Angelo, Moda made in Italy. Il linguaggio della moda e del costume italiano,(2017-12-01) Saitta, LuigiDagmar Reichardt, Carmela D'Angelo, Moda made in Italy. Il linguaggio della moda e del costume italiano,Tétel Szabadon hozzáférhető Danese Cataneo, «felicissimo spirito» nelle carte tassiane. L’Amor di Marfisa e la Gerusalemme liberata(2017-12-01) Artico, TancrediPublished in 1562, Danese Cataneo’s epic-chivalric poem Amor di Marfisa had a wide but undervalued influence in Torquato Tasso’s masterpiece, Gerusalemme liberata . In this short essay I’ll provide the necessary evidences to demonstrate the existence of a deep connection between those two poems, and establish how it is organized. In particular, Cataneo’s literary legacy, which is underlined by a long list of quote, is strongly perceptible for what concerns the expression of feelings and thoughts. Amor di Marfisa , in this regard, gives to the young Tasso an unusual example of epic poem interested in characters’ psychology: aspects such as the self-analysis and the fragmentation of the ego are underrated in Ariosto’s Orlando furioso and all the other Italian poems in ottava rima , whereas they are fundamental in Cataneo’s poem. More than just an example, it represents for Tasso a training ground and a mine, where he founds themes and lexicon that later will be used in Gerusalemme liberata .Tétel Szabadon hozzáférhető Dizionari, sinonimia e marche d’uso(2020-03-29) Trifone, MaurizioThe extraordinary richness of the Italian language is not always adequately enhanced by dictionaries. In the era of the digitization of the dictionary, while outdated some definitional procedures continue to survive. Present or past participles that also have adjective functions (e.g. nascente ) are sometimes defined with the formula “In the meanings of the verb”. The nouns indicating quality, condition or status (e.g. ordinariness ) are often defined with the formula “ being + basic adjective ( ordinary )”. These definitions, whose informative value is practically zero, certainly do not help to the reader. The structure of a dictionary of synonyms is completely different, which must try to guide the reader in the maze of possible lexical alternatives with the aim of helping him to find the most suitable terms to express the different nuances of the same concept. The search for semantic equivalences thus becomes a discovery of the relevant differences that exist between one word and another. Of essential importance in this regard is the function of the usage labels: the distinction between basic words , words of high use, words of high availability and common words , very useful in many areas, is not of great help for a writer interested in information stylistic. The classification by frequency bands does not warn us e.g. that volto is of higher register than faccia, autovettura is of more formal register than macchina, cinematografo in the sense of ‘cinema hall’ is antiquated compared to cinemaTétel Szabadon hozzáférhető Donna, che fosti tra le donne un Sole»: sui tentativi poetici giovanili di Paolo Paruta (metà XVI sec.)(2017-12-01) Giani, MarcoDuring the mid-1560s, Paolo Paruta (1540-1598), future Ambassador of the Republic of Venice in Rome (1591-1595) and author of the three books of Perfettione della Vita Politica (Venice, 1579) wrote some poems: the canzone Donna, che fosti tra le donne un Sole, and three somnets. The former was then published in Dionigi Atanagi’s Rime di diversi nobilissimi et eccellentissimi autori, in morte della Signora Irene delle Signore di Spilimbergo (Venice, 1561), the latters were insert in Diomede Borghesi’s anthology for Cinzia Braccioduro Garzadori (then published in Padua, 1567, without Paruta’s somnets). Writing those juvenile poems and making them circulate among the Venetian literary circles (such as Domenico Venier’s), Paruta was looking not only for artistic approval, but also for social visibility: the canzone and the somnets were part of his wider strategy for social climbing inside Venetian patrician ruling class.Tétel Szabadon hozzáférhető «E io sono in quel numero, benché disutile sia»: l’amicizia tra Lapo Mazzei e Francesco Datini(2020-12-01) Camesasca, GloriaThe notary Lapo Mazzei (1350-1412) was a correspondent of the merchant of Prato Francesco di Marco Datini (1335 about-1410). Mazzei’s letters written to Datini from 1390 to 1410 and published by Cesare Guasti (1822-1889) are an important source because they return a significant cross-section of life and personal relations of a merchant and a notary lived in Tuscany at the end of the fourteenth century. The aim of this paper is to analyze the friendship between Mazzei and Datini and other important figures through the study of notary’s lettersTétel Szabadon hozzáférhető Un esperimento didattico. Tre parole per Dante: esilio, desiderio, destino(2022-12-01) Tramontana, CarmeloThe article, starting from a brief reflection on Dante’s 2021 anniversary, attempts to offer an overall representation of the author Dante through a concentrated form that mixes scientific precision and brevitas, symbolic concentration and narration; the study therefore presents itself as an experiment that takes place halfway between public discourse and scientific discourse on Dante, in that intermediate area, of equally cultural and political value, which is teachingTétel Szabadon hozzáférhető The exaltation of Italian national identity in the discourse of Matteo Renzi(2017-12-01) Mamusa, EleonoraNations are one of the most well-established constructs in our society, and they represent a very attractive benchmark for personal and social identification. Political speeches, as well as, for example, media discourse and popular culture, constantly reiterate myth, culture and history of nations in order to reaffirm and preserve their positive image, and this tendency doesn’t seem to be weakened by some contemporary events like globalization and the reinforcement of transnational systems. As a proof of this trend, the present work proposes an in-depth analysis of the speech held by the then Italian Prime Minister Matteo Renzi at the European Parliament on the occasion of the inauguration of the Italian semester of presidency on July 2, 2014, aiming to demonstrate that also supranational contexts are exploited to reiterate national identity and priorities.Tétel Szabadon hozzáférhető I “fatti di Bronte” (1860) e un “monumento” del realismo letterario: Libertà di Giovanni Verga(2023-05-22) Manganaro, AndreaGiovanni Verga’s short story Libertà has often been read as a historical source, and its alleged alterations of the historical events of 1860, the bloody revolt in the town of Bronte, on Mount Etna, and the repression carried out by Garibaldi’s troops led by Nino Bixio (the ‘facts of Bronte’) have been noted, even sharply, with the authority of Leonardo Sciascia. We propose here an interpretation of this short story as a literary “monument”, and not as a “document”, noting the immanent tension towards a “truth content” to which Verga’s realism aspires, with its narrative proxy, the renunciation of authorial judgement, the multiplicity of points of view, the friction that derives from their juxtaposition in the narrative also with respect to the perspectives of the readers, who are necessarily called upon to assume responsibility.Tétel Szabadon hozzáférhető Le femmine sapute di Anna Banti. Da Artemisia a Il bastardo(2024-04-15) Rivetti, SoniaBetween 1980 and 1981 on the third page of the «Corriere della Sera» Anna Banti published eleven portraits of women painters. The column opens with an article on Sofonisba Anguissola, the author of Autoritratto al cavalletto, a symbol of the reclamation of female identity which calls into question the role assigned to women in the 16th century. It is the culmination of a reflection that began in 1947 with the novel Artemisia. Famous in the news of the time for having been at the center of a rape trial, Artemisia Gentileschi is read as the figure responsible for a talent, the painting, defended at the cost of a loneliness that accompanies her until death. Le donne muoiono is the title of a collection of four stories published in 1951. In the last one, Lavinia fuggita, the theme of vocation returns. In 18th century Venice where composing music was considered a male profession, Lavinia cannot give up the natural inclination to manipulate the scores with jokes of her own invention. The latest female character who refuses to take the traditional way of marriage is Cecilia De Gregorio, protagonist of Il bastardo, the novel published in 1953. Through an austere path but not without doubts, it tells the story of a woman who finds fulfillment in her studies and becomes an engineer head of a companyTétel Szabadon hozzáférhető Forme della poesia(2021-12-01) Driussi, PaoloText analysis is a wide, and rich, field for research. The formal linguistic analysis of texts is not widespread, certainly not in Italy, but can profitably help in reading and interpreting. This can easily be seen with poetry. In this article I introduce some foundations of this approach and show how they apply to two poems in order to present some of its benefits.Tétel Szabadon hozzáférhető Fortuna e traduzione delle opere letterarie italiane in Ungheria(2020-03-29) Sárközy, PéterLiterary criticism, both in Hungary and in Italy, has paid great attention to the fortune and irradiation of Italian literature in Hungary, just think of the thirteen volumes, the result of the scientific collaboration of the Giorgi Cini Foundation of Venice and of the Hungarian Academy of Sciences. The article aims to offer a broad overview of the success of the Italian literature in Hungary, especially through translations. The article reviews the various historical periods and literary movements that characterized the literary contacts between the two countries. Until the second half of the eighteenth century, the irradiation of Italian literature was first of all manifested in the use of literary models and poetic formulas in the works of the major authors of Hungarian literature. The 19th century saw instead the season of translation of the great classics of the first Italian literature (Dante, Petrarca and Boccaccio) translated again in the twentieth century, thanks also to the commitment of the Magyar Italianists. Finally, the article focuses on the present situation, describing the translations of contemporary authors